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7. März (=Casino) in einem Semesterkurs für nur €80 (Studierende €60) zu Rueda de Casino: werewolf.nu Nächster Kursblock: Beginn: Dienstag, September / Laufzeit: 11 Wochen h Anfänger Rueda: (Voraussetzungen: Salsagrundschritte und einfache. Das wichtigste aber ist, dass Rueda richtig spass macht!! Unsere Basis- Kommandos für Rueda de Casino. Anfänger-Mittelstufe Ochenta (80) Ochenta y.

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{ITEM-100%-1-1}So gehören zu seinem Repertoire nicht nur komplexe Figuren, sondern auch viel Styling und Elemente anderer kubanischer Tänze wie Rumba, Reggaeton oder afrokubanische Tänze. In unserem Hauptsitz, der Frauentorstr. Cuban Salsa Power - Tanzschule Augsburg. Cuban Salsa Power - Donauwörth. Kontakt Diessen — 11 68 10 39 sofia cuban-salsa-power. Du kannst bei uns jederzeit im Anfängerkurs einsteigen! Page 1 Page 2 Next page. Charakteristisch ist die Gitarre und die Clave, sowie Congas und Bass. Typisch für den dominikanischen Stil sind etwas komplizierte Schrittkombinationen in offener Tanzhaltung, die auf das Gitarrenspiel interpretiert werden und auch die kreisende Bewegung im Raum. Ihr Liebe zu kubanischen Salsa entdeckte sie in Barcelona, wo sie zwei Jahre lebte. Cuban Salsa Power - Tanzschule Augsburg 5 days ago. Mit oder ohne Tanzpartner! Cuban Salsa Power - Diessen 2 months ago.{/ITEM}

{ITEM-100%-1-2}At this point the follow should be on the left and in a hammer lock position. July Learn how and when to remove this template message. On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right. Mini is a sub call and the same movement is performed, but don't actually clap. El Nudo - - Setenta, lead follow around back and then with your right hand blind lead follow from behind you around to in front, then setenta. Estos son los tres suelos que tenemos debajo de nuestra tierra. The lead should also pull the follow close and continue their momentum in order to get them into abajo. By using this site, you agree to the bvb jetzt of Use and Privacy Policy. Yo soy muy campero. Then enchufla and immediately pick up the follow on the left, crossing in front for a degree, cross casino royal rodgau back to neutral. Bulla - - una, dos - A loud yell on 5,6,7.{/ITEM}

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Lo mejor que esto nos lo cuente Richard porque viene de una saga de bodegueros que cuenta con seis generaciones. El origen le llamamos.

Necesitamos que todos estos insectos que dan vida, que son depredadores, ayudan a luchar contra las plagas, tengan un sitio ideal para poder estar.

Insectos probablemente sean los mismos, el cambio del tiempo influye en la cosecha y en los ciclos pero es parte emocionante de la viticultura, no somos un refresco u otro tipo de negocio.

Puedes ver tres subsuelos que son muy importantes, para hacer un vino es un clima, una variedad de uva, un querer hacer para hacer un vino joven o no, y un tipo de suelo.

Esto es mejor como el movimiento andando, vamos a catarlo y lo demostramos. El vino se hace solo, no lo hacemos nosotros.

Vamos a probarlo porque el vino tiene que saber. Te digo lo que he sentido. Tienes que tener claro que nosotros no hacemos el vino, el vino se hace solo.

Vamos a ver si te empieza a gustar el vino. Aunque no hayamos volado en globo, salud. Mira lo que te has perdido. Si no puedo subir por los aires y como nos amenaza la lluvia, voy a hacer la visita a Rueda pero bajo tierra.

Forma parte de nuestro Camino de Santiago, concretamente la ruta del sureste. Se utilizaba en la Edad Media como saludo cuando se encontraban los peregrinos.

No os paro, me voy un cachito con vosotros y os hago cuatro preguntas. Perfecto, ahora te explicamos.

Los peregrinos antiguamente lo llevaban todos para defenderse de los animales. Lo tenemos como recuerdo. Por lo menos he dado cuatro paseos con alguien porque en esta ruta me toca ir solo a todas partes.

Aunque a veces es muy sano. Vas a estar conmigo una hora y media. A mi lista A mis favoritos Suscribirse. El vino El vino. El Hierro II Se trata de una inmensa mancha verde, de La Sierra de Huma, en el Valle de A Desde las estribaciones de Sierra Nevada hasta la Sierra de Alhamill You can readily find an extensive list of Rueda de Casino moves in various websites.

For example, the hand signal for Sombrero is the caller tapping the top of his or her head. Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan.

Rueda de casino dance may also be seen in the documentary film "La Salsa Cubana. From Wikipedia, the free encyclopedia.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. July Learn how and when to remove this template message.

Retrieved from " https: Articles needing additional references from July All articles needing additional references Articles with Russian-language external links Articles with Spanish-language external links.

Views Read Edit View history. In other projects Wikimedia Commons Wikibooks. This page was last edited on 30 June , at This style was developed in Cuba in the s [ More at Wikipedia ].

The wiki is to help all students of Rueda remember and refine their Rueda patterns, reflecting local variations, and growth of the dance.

Below are step-by-step instructions for each rueda move and under the fold, where possible, a link to an online video. Closed position - Right arm of the lead goes around the left side of the follow, left arm of lead holds the right hand of the follow at about shoulder height.

Guapea - - The basic default movement, follow mirrors lead who swings left hand down while stepping left, right, left for 1,2,3 and pushes on right while stepping right, left, right on 5,6,7.

Hammer lock - - Lead and follow face each other with the follow's left arm behind their back holding onto the leads right hand.

Follow's right hand holds lead's left. Open position - - Lead holds the opposite hand of the follow, left to right, right to left.

Abajo - - The lead initiates an alternating cross step with the follow in place. On one, the lead steps left and on two pulls the follow past them while stepping to the right.

The follow meantime steps back, then crosses with left, steps right and crosses back on 6,7. Al medio - - Lead and follow in closed position, with lead facing the "downstream direction" left shoulder towards inside of the circle , and the follow facing the lead.

On 1,2,3, the lead taps with left foot while leaning outward holding left arm up. On 5,6,7, lead bends leftward, taping with right foot.

The follow mirrors the lead. Arriba - - Lead and follow in closed position, with lead facing downstream.

Bulla - - una, dos - A loud yell on 5,6,7. Usually called during Al medio, though could be called at other times.

Cucaracha - - Stamp inside the circle killing the cockroach, right foot for lead, left for follow. Dame - - Lead goes to the next follower downstream and Dile que no.

Dame dos - - Lead goes to the second follower on the right downstream and Dile que no. Dame tres - Lead goes to the third follower on the right downstream and Dile que no.

Dile que no - - cross body lead. Enchufla - - Lead steps back and pulls the follow past on the right, turn to face the follow.

Keep the elbows bent! Mentira - - Spanish for "it's a lie", called while some other move is in progress, and means that the lead keeps the same follow in a move where normally the lead would go to the neighboring follow.

Una Para Arriba - - Lead goes to the next follow upstream. Pelota Uno - - Enchufla, and before getting to the next follow, clap once on 7.

Prima - - Back break and the lead pulls follow up close with the follow's right arm up and catches follow, spins with the follow, then going to the next follow on the right.

Sacala - - Lead the follow into the centre of the circle and back out. Sientate - Spanish for "sit-down", this is usually called at the end of a song as the last move.

Starts like Siete, lead preps on 7 of the previous count by putting the left hand into the circle, then swinging it back out.

The follow then spins clockwise on 1,2,3 ending up with their right shoulder on the chest of the lead, and seating on the lead's lap.

Sombrero - - Lead switches hands, right to right, left to left, then spins the follow around clockwise while walking the follow around to the right side of the lead.

Drop the arms down, then back up, over the head and onto the shoulders. The lead should have their right arm around the back of the follow and the left hand over their left should.

Un tarro - - on 5,6,7, lead steps back, puts the follows right arm up and pulls themselves under going to next follow.

Abanico - - As shown. Arcoiris - - Start like setenta and walk the follow around, then step in front with right hand up. Then lift both hands and start to spread them and the follow should spin to end up back to back.

Drop the hands low, then turn toward the follow your right and duck back under the arm and the lead should be in a hammer lock at this point.

Babosa - - Lead takes both hands, back steps and pull the the follow into a "hug" or sweetheart move on the lead's right both facing inward.

The lead holds the right hand and spins the follow out to the next lead on the right while looking for the hand of the follow on the left.

Enchufla the follow and then cross body. The enchufla is only done if an enchufla complicado is not called. Besito - - As shown,start like sombrero, but walk the follow behind as the lead keeps their right hand low.

The follow should end up on the left hand side of the lead and the lead puts their left arm over onto the should over the follow. Then kiss the cheek of the follow.

Lead then turns clockwise under the arms and then enchuflas the follow back into a sombrero. Balsero - - Start like Sombrero but instead of putting the arms on the shoulders, bring the follow around behind, making sure to get the follow behind and to the left of the lead on 7, with their right hand on the lead's right shoulder.

Then spin the follow around in front and put them into a Sombrero on the right side. Finish as a normal Sombrero. Cagua - Starts similar to Sombrero with the follow ending up on the right side of the lead, with arms around each other's shoulders.

From there and on the second eight count, the lead puts their right arm under the left arm of the follow and asks for the right hand.

The lead's right arm should still be tucked around the follow's left arm with the back of the lead's hand resting on the follows hip or stomach.

The follow then back rocks and ducks under turning counter clockwise as lead pulls with the right hand up and over the head of the follow.

The lead and follow should be facing each other with left over right. On the next eight count, the follow back rocks again and is pulled into a sombrero on the right side of the lead, right hand on follow's shoulder, left on lead's shoulder.

Cross body back to neutral. Carrusel - - Starts with an Enchufla , then Sacala , then enchufla pulling the follow past to the next lead. The lead grabs the hand of the next follow ahead and repeats the Sacala then Enchufla three times, on the fourth follow, do a cross body lead to end.

The leads will naturally stay facing out of the circle for most of this move. En Chavarria or Tres Dos - - This is called off a cross-body lead and on 1 of the next eight count while still in a right to left hand hold and facing into the circle, the lead with bent legs, plants with their right foot and then points their feet first left, right and then left again.

The follow does the opposite, planting their left foot and doing a right, left, right shifting motion.

This is similar to Coca Cola which can be called off a cross body. Coca Cola - - On a cross body lead, the lead spins the follow by the shoulder and with the same left hand, pulls the follow behind all on 1,2,3.

On 5,6,7, the lead finished the cross body back to the left. Cubanito - - Start with an Enchufla , and the lead then steps in front of the follow facing into the circle, switching hands.

The lead and follow then back rock twice and on the third back rock, the lead puts the right hand on their shoulder and finishes like Balsero. Dame con Chocolate - - On 1,2,3, lead turns counter-clockwise facing away from the follow and on 5,6,7 both jump back with hands up and leaning forward slightly.

Dame Diente - Prep on 7 with the left hand, then check the follow in a wrap follow turns clockwise and unwrap. On the next eight count, the lead then wraps in, turning to the left, touches hands on 5 right to left then unwraps.

Then, prepping on 7 again with the left hand, the follow is wrapped and the lead wraps as well, making sure to switch hands from left to right.

The initial prep is done with the lead's left to the follow's right and then as the follow goes into their wrap, the lead switches to a right to right hand hold, making sure to bend their own arm around the follow.

Then both follow and lead unwrap and do a vacilala con dos with Lead and Follow both doing spins. El Dedo - - As shown. El Dedo Complicado - - Similar to El Dedo, but on 5 while leading the follow around, back step and pull the follow's arm over your shoulders.

Then grab the follow around the waist and lead the follow around for an eight count. Al Directo - - The lead pulls the follow past on the right and claps the hands of the next follow on 5.

Al Directo Doble - - Like Al Directo, upon clapping the hands on 5 of the next follow, the lead spins to the right going past and connects with the next follow.

The leads move clockwise and the follows walk counter-clockwise. El Dos - - Enchufla and while stepping in front of the follow, the lead asks for the followers right hand.

Then on the next count, the lead presents the left hand and continues in a cumbia motion with the follow behind.

Step to the left and right, and lastly the lead keeps the right hand high and pull the follow around with both arms, spins the follow and does a sombrero.

El Doce - - As shown. El Nudo - - Setenta, lead follow around back and then with your right hand blind lead follow from behind you around to in front, then setenta.

Enchufla Avion - Starts with an enchufla and the lead holds the right hand of the follow with their left and steps forward with the lead's right arm over the follow's right.

The lead should be standing with the follow's arm at chest height at the end of the eight count. The lead then ducks under the follow's arm to the right, bringing the follow around.

The lead should end up with their right hand over the right shoulder of the follow and lightly on the back of the neck of the follow.

The lead, with their left arm, then rotates the follow's right arm up and around clockwise as the follow ducks their head under the right arm of the lead and the lead keeps their right hand on the back of the follow to guide both in half turn.

The lead should have their right hand on the back of the follow and as both move continue to move around each other, and the lead pushes the follow toward the next lead.

The lead then takes the partner ahead in a cross body lead. Enchufla con Dracula - - Enchufla and as the follow goes by, make a mock attempt to bite their neck.

Enchufla con pa - Starts with an enchufla, switch hands and step ahead upstream of follow. Lead then steps into circle and on one says "Pah".

Lead the follow behind into the center of the circle as lead goes into hammer lock and follows, like a sacala, says with "pah" sound on 5.

Lead is doing a cross step at this pint. The lead then backs out to the left and brings the follow in front and to the left while spinning the follow into a counter clockwise turn.

At this point, lead is on the right facing in and follow is on left facing out with left arm under right. Lead the grabs the right hand of the follow on the right and steps forward and backward as follow steps backward and forward for an eight count.

Then on the next eight count, lead turns the follow, while still holding both lead's hands, on the left clockwise and hair combs the follow's hand over the lead's head, closely followed by the hand of follow on right, with whom is done a cross body.

Enchufla Complicado - - Enchufla, and as the follow steps in front, the lead grabs the follows left with their right, then steps under, asks for the hand behind the leads back and the enchuflas again.

Then grab the right hand of the follow and present it to the next lead on the right while looking for the hand of the follow on the left. Enchufla the next follower and then back to neutral.

Enchufla al Medio - - Enchufla, lead steps into the circle, then back out on the follows right. The follow and lead then alternatively step into and back out of the circle.

The following moves are then called:. Enchufla Rodeala y Mambo - Starts like Seis with an enchufla, and the follow is lead behind and back in front of the lead.

When the follow is standing in front facing into the circle, a mambo is started on 7. The lead starts on the right and on left for follows and is done for five steps i.

While doing the mambo, the lead keeps their right hand on the shoulder of the follow and can initiate the back-rock by pulling on the shoulder.

The lead then back rocks left then right, while leading the follow into a back rock on their right and left for an eight count.

On the next eight count, the follow back rocks with the right foot again and then spins counter-clockwise to the right and is picked up for a cross body lead.

Leads can also spin before picking up the follow. Enrocate - - Two cross body leads in a row over two eight counts, going Evelyn de Cuba - - Starts with an enchfula doble and when stopping the follow the second time, the lead spins to the right and faces the follow.

The lead should be right hand to right hand with the follow. Another enchufla, and the lead does a hook turn helps if the hand doing the enchufla is kept low and the lead pulls the follow behind their back to pass to next lead.

The lead then picks up the next follow to the right. Estrella Doble meaning two stars - Starts with an enchufla, then the leads walk into the center of the circle heading counter clockwise and put their left hands on the left shoulder of the lead ahead of them.

They then walk around the circle for two eight counts and on the 5,6,7 of the second eight count, the leads change direction back to clockwise and put their right hand on the right shoulder of the lead in front.

The follows move in the opposite direction and switch direction at the same time, again going the opposite direction. After changing directions, both leads and follows walk in their respective directions for another eight count and on the second eight count they should be close to their original partners.

The leads then do a hook turn to the right and face their original partner, prepping to the right, in a right to right hand hold.

On the next eight count, the lead then turns the follow around clockwise in place and as the follow comes around to face the lead again, the lead does another hook turn but stops when facing upstream away from the follow.

The lead should be facing the next follow ahead of them and have, from behind them, the follow's right hand on the lead's right shoulder. On the next eight count, the lead then drops the right hand on the right side of their body and throws it up in a arc over their body, while immediately doing a cross body lead of the next follow upstream.

Fly - - On 5,6,7, jump to the right and clap killing the "fly". Mini is a sub call and the same movement is performed, but don't actually clap.

Festival de Fly - Starting on 1, clap up to the right, then down to the left, the in front, clap once, then twice more.

The leads then cross arms and the follows pull their fists back on either side of their bodies and thrust their chest out. Everybody goes "huh" at the same time.

Then clap once and then three quick claps and cross body the follow on the right. La Havana - - Starts with a two handed enchufla with check, then repeat.

On the third two handed enchufla, the lead does a hook turn under and pulls the follow's hands down in front while the lead faces into the circle.

The lead then lifts their right arm up, then the left and, turning to the right a bit, leads the follow into a hammer lock.

Unfold the hammer lock with a back break and then momentarily hook the follow's left arm with the lead's right elbow.

Cross body back to finish. La Isaura - - Enchufla and as the lead passed the follow on the left, continue onto the next follow on the left, cross body, then go to the follow two down, i.

The pattern is one to your left, two to your right and then one back to the original partner. Jardin - - Enchufla and grab the follow's left hand with right and walk into the circle.

Then go under the arm raised by the lead on your left. Then wait for the Bota call then grab the hand of the follow on your left and enchufla the follow back into the slot, then cross body lead the follow.

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Ihr Liebe zu kubanischen Salsa entdeckte sie in Barcelona, wo sie zwei Jahre lebte. Typisch für den dominikanischen Stil sind etwas komplizierte Schrittkombinationen in offener Tanzhaltung, die auf das Gitarrenspiel interpretiert werden und auch die kreisende Bewegung im Raum. Individuell auf dich abgestimmt! Skip to content 7. Cuban Salsa Power Berlin 3 weeks ago. Zusätzlich ergänzen die wechselnden Workshops am Wochenende wie z. See More See Less. Kontakt Augsburg 64 32 mail cuban-salsa-power. Cuban Salsa Power - Diessen 2 weeks ago.{/ITEM}

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